So in the last month or so Bad 25 has been released, which aims to be a fitting tribute to one of Michael Jackson's most revered albums. I'll admit that Bad isn't one of my favourite albums actually, but the Bad 25 package does seem terrific value. I've yet to actually get my copy but thanks to Spotify I have managed to hear the tracks on it (bar the live ones, I'm saving that for when I'm able to watch the DVD) and I have to say that the unreleased tracks really suprised me actually. Of the unreleased tracks, Free and I'm So Blue are my favorites. Actually, I think I'm So Blue is fast becoming one of my favourite Michael Jackson tracks! The lyrics of the song are rather simplistic, basically the narrator of the song's lover has left them for another man, and their coping mechnaism for this break-up is more or less to sing. The lyrics of the song are rather sad I think but what really makes the song more moving is Michael's vocal delivery. I absolutely love the little "dah dah dah's" that provides the song's main hook. For me at least, they sound like they come from a narrator who is obviously hurting following the end of their relationship. Although I do get an underlying sense of optimism from them as they obviously take such comfort from singing, (if that doesn't sound daft). The lyrics don't have the depth that makes songs like Man In The Mirror classic tracks, but they're not the main reason why I love this song. What I love about the song is that it has a much more organic sound that was disappointedly lacking in Bad. Whilst its still a very good album it's too polished and glossy in sound for me. I think I'm So Blue would have made a refreshing change from the highly polished nature of the other tracks on the record. Without sounding too harsh, I think the song has actually aged better than more or less every track that was on Bad. It could be just me, but I actually think I'm So Blue sounds like it could have fitted relatively well on Thriller if I'm being honest. Listening to this makes me wonder if there's any other tracks of a similar ilk (and knowing how frequently Michael recorded, its very likely there is) that have been simply left in the vaults for all these years. Really, it makes the posthumous Michael album seem like even more of a joke than it already was. A great song that I'm pleased has been brought to light!